Adnan Shah Tipu, a well-known face in Pakistan’s entertainment industry, spoke to BBC Urdu to reflect on his 25-year journey. Known for his dynamic performances, Tipu has carved a niche for himself as a character actor, but he believes the industry’s preference for looks over skill remains a significant barrier to true talent flourishing.
During the interview, Tipu explained that he doesn’t care if his characters are part of the narrative for a shorter or longer period, as long as they resonate with him. “For me, whether a character has one page or 10 pages, whether it makes sense to me is a challenge, and if through it I can bring some positive change in society, then why not?” he said.
‘By our standards, DeNiro and Pacino would quit’
THE In Flames The actor also reflected on his career as an actor, lamenting that Pakistan’s entertainment industry is yet to shift focus to character-based films and shows. “I have always considered myself a hero, whether in the main or supporting role. The quality of the work makes you a hero or a zero,” he said.
Highlighting how different the situation is globally, pointing to the success of actors like Nawazuddin Siddiqui in India, he said, “In India, someone like Nawazuddin will play the lead role because the film revolves around the character, not his appearance. Around here, even if they make a film like this, they will cast someone who doesn’t fit the role to play that role.”
Tipu did not hesitate to express his frustration with the Pakistani entertainment industry’s fixation with appearance and social media followers. He said, “If, in the world, people started casting actors based on our standards and their following, actors like Robert De Niro and Al Pacino would give up.”
The veteran also pointed out another problem that limits the type of actors who can thrive in Pakistani showbiz. “In the kind of stories we’re focusing on, we’re never going to have the kind of diversity needed to cast a variety of actors,” he said, emphasizing the need for nuanced storytelling that allows talented but unconventional actors to take center stage. stage.
He praised filmmakers like Kashif Nisar for breaking that mold with bold casting choices, like selecting Ehteshamuddin for the lead role in Kabuli Pulao.
Turning off the villain
The conversation also explored the impact of playing dark characters. Tipu recognized the toll that repeated villainous roles can take on an actor’s mental health. “Yes, it affects you, but you need to remember that you are just acting. When you come home and look at your wife and kids – that’s your reality.”
He emphasized the importance of learning to “turn it on and off” to avoid emotional exhaustion.
When asked about getting real-life backlash for real-life characters, Tipu admitted to receiving a lot of hateful comments online. He also shared a shocking incident.
“I was cycling with my daughter when a man stopped me and said that I deserved everything that was happening to my character in the drama,” Tipu revealed, adding that such reactions should be taken as a compliment. “I feel like if that happens to you, it means as an actor you did a great job.”
Refusing to be stigmatized
Tipu’s journey was not without its challenges. He opened up about struggling to secure serious roles despite his critically acclaimed performance in silent water.
As he also did Subset Haihe received 36 sitcom offers, all of which he had to turn down to secure a role of his choosing. “I had to starve myself for two years because I didn’t want to be restricted to one style or genre.”
For Tipu, versatility is the essence of being an actor. “Comedy allows me to experiment and lighten the mood, while serious roles give me space to deeply explore emotions. It’s important to keep growing and challenging yourself. What’s the point otherwise?
The road ahead
Despite the difficulties, Tipu remains hopeful about change. He noted her recent starring role in the film 13 as a sign of progress, although not at the pace he would like. “Things are changing, but not to the extent we would like. All over the world now, the focus has shifted to being character-focused.”
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